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Ibraaz

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Live

Hans Ulrich Obrist: in conversation with Omar Kholeif

Shumon Basar: in conversation with Stephanie Bailey

Shiva Balaghi: in conversation with Stephanie Bailey

Oscar Guardiola-Rivera: in conversation with Anthony Downey

Todd Reisz: in conversation with Omar Kholeif

Okwui Enwezor: in conversation with Anthony Downey

Farah Al-Nakib: in conversation with Stephanie Bailey

Adam Szymczyk: in conversation with Omar Kholeif

John Akomfrah: in conversation with Anthony Downey

Ibraaz

1971-1979 The Short Seventies (World)

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

1971-1979 The Short Seventies (UAE)

Ibraaz

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

Global Art Forum 8 at Katara Art Center

Sites of Return: Ramallah

Pattern Recognition: Ramallah

Biographies

Responses

Jack Persekian in conversation with Basak Senova

Chapter 1: Intensities

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Soundscapes: Taking Apart the Arab City by Dr. Alexandra MacGilp

Hair and Milk Bottle: Hassan Sharif

OLGA'S NOTES, all those restless bodies: Marwa Arsanios

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Magdi Mostafa in conversation with Clelia Coussonnet

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Farah Al-Nakib in conversation with Todd Reisz

Mahmoud Khaled in conversation with Omar Kholeif

Reza Aramesh in conversation with Lara Atallah

Hassan Sharif in conversation with Nujoom Al Ghanem

Mario Rizzi in conversation with Cristiana Perrella

Navine G. Khan-Dossos in conversation with Stephanie Bailey

Nav Haq in conversation with Stephanie Bailey

Sumesh Sharma in conversation with Amanprit Sandhu

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

Köken Ergun in conversation with Omar Kholeif

Antonia Carver in conversation with Omar Kholeif

Larissa Sansour in conversation with Sheyma Buali

Tarek Abou El Fetouh in conversation with Stephanie Bailey

Monira Al Qadiri: The Saudi New Wave | Digital Landscapes and Future Institutions

Leila Al-Shami: Emerging from ‘The Kingdom of Silence’ | Beyond Institutions in Revolutionary Syria

Aimee Dawson

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Sophia Al-Maria: On Automobiles

Shuruq Harb: On Agency

Ala Younis: On Curating

Guy Mannes-Abbott: On Drones

Murtaza Vali: On Domesticity

Burak Arikan & Başak Şenova: Network Data

Language Arts at The Third Line

Murtaza Vali: 'Arresting Flows, Stacking Forms'

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

Sama Alshaibi

description

On Navigating Without a Compass

Stephanie Bailey

Artists Intervening in Lebanese Dailies

Sophia Al-Maria at the Whitney Museum of American Art

Organic Growth and the Rise of Visual Arts Organizations in the UAE

As a historian of nineteenth- and twentieth-century Middle Eastern art, I am concerned with the urgent questions facing cultural production as well as those facing histories of cultural production. My response below reflects that concern.

Downtown Contemporary Arts Festival (D-CAF)

Grey Noise Gallery

Green Art Gallery

An Ode to Performing Subjectivity in Research

Vartan Avakian at Marfa’

Edited Urbanism on Dubai Creek

Maraya Art Centre

Lantian Xie at Grey Noise

On Bouchra Khalili’s Cartographies

An Art Collection as an Alternative Archive of Iranian History

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

Here and Elsewhere at the New Museum

Re-routing Institutional Critique

Leili Sreberny-Mohammadi

Object Lessons from Saadiyat Island and Gehry’s Guggenheim, Abu Dhabi

Mounira Al Solh at Sfeir-Semler Gallery, Beirut

Imagining the Future, Assembling the Past

'You can't draw desire, you have to walk it.'

Slavs and Tatars at The Third Line

The Sharjah Art Foundation's 2014 March Meeting

A Perspective on Algeria's Cultural Scene

A Project by Lara Baladi with an introduction by Dorothea Schoene

A Project by Anahita Razmi

On Silence and Noise in Times of Crisis

vs. The Ruler was made during the first year of the Arab uprising. It is comprised of two custom-made wooden 'electrocution' chairs (thrones) sitting in opposition to each other. The patriarchal male throne suggests the military and religion. Its counterpart is also suggestive of Islamic architecture, but is grounded by...

Politics, Media and Art after the Arab Uprisings

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

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